Worship Musician Magazine

THANK GOD FOR MUSIC

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THANK GOD FOR MUSIC

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THE FIRST BATTLE IN THE “WORSHIP WARS”: CAIN & ABEL

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FROM SLAMMIN’ TO SINGABLE: TOMLIN’S “HOLY FOREVER”

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SING TO THE LORD

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THE BOTTOM RUNG OF THE LADDER

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SINGING BUT NOT WORSHIPPING?

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INSTANTLY SINGABLE & BIBLICALLY RICH – CITYALIGHT

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INSTANTLY SINGABLE – STRAIGHT OUT OF THE BOX

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FROM SLAMMIN’ TO SINGABLE: ELEVATION’S “PRAISE”

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SUNG WORSHIP: DIVERSITY OF EMPHASES (PART 4) – GOD IS BIGGER THAN THE GRAPH

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SUNG WORSHIP: DIVERSITY OF EMPHASES (PART 3) – TRADITIONAL & STRUCTURED VS. MODERN & SPONTANEOUS

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PUB CHOIR VS CHURCH: WHAT ARE PEOPLE SAYING?

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PUB CHOIR VS CHURCH: SONG SELECTION

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PUB CHOIR VS. CHURCH: HORIZONTAL CONNECTION

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PUB CHOIR VS. CHURCH: LESS IS MORE

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PUB CHOIR VS. CHURCH: A COMPARISON

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THE MEASURABLE GOAL & THE HIGHER GOAL

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C TO SHINING C – RECLAIMING FEMALE VOCAL REGISTER (PART 2)

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C TO SHINING C – RECLAIMING FEMALE VOCAL REGISTER (PART 1)

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CONCERT OR CAMPFIRE? OVERCOMING RESISTANCE TO CONGREGATIONAL KEY CHOICE

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CONCERT OR CAMPFIRE? “C TO SHINING C” & THE FEMALE VOCALIST’S FLIP ZONE

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CONCERT OR CAMPFIRE? “C TO SHINING C” – THE IDEAL VOCAL REGISTER

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CONCERT OR CAMPFIRE? KEY CHOICE FOR PHIL WICKHAM’S “HOUSE OF THE LORD”

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